GeNeraTor
New Scripts, new puppets, new techniques in puppetry
![](https://static.wixstatic.com/media/e3dedd_0a7aae15e26a431e84ba5ff7bc19a86c~mv2.png/v1/fill/w_605,h_700,al_c,q_90,enc_auto/e3dedd_0a7aae15e26a431e84ba5ff7bc19a86c~mv2.png)
E.g. The Table
We began with a puppet Goldstein from our rehearsals for 1984. Then we did:
3 weeks WORKSHOPPING to develop a new puppetry concept - a puppet "Moses" on a table explaining how puppetry works
3 weeks MAKING to adapt the puppet
4 WRITING periods
2 weeks puppet TRAINING
13 weeks DEVISING REHEARSALS over 2 years
We make our work through a a process of trial and error, in the workshop and rehearsal room.
To make a show we need to work out the relationship between the characters in the story, the puppets and the puppeteers...
CHARACTERS
PUPPETS
PUPPETEERS
DREAMTIME
Reading scripts - Devising new puppets - Reviewing old puppets
New opera project with Elena Langer
Classic text
WRITING
Making scripts work for puppetry - Commisioning new scripts
WORKSHOPPING
Finding the a puppetry concept - Who are the puppeteers?
Digital experiments