B L i n d S u m M i T
Our mission & purpose
Board of Trustees
-- IN DEVELOPMENT --
The Sex Lives Of Puppets
-- IN REPERTOIRE --
-- IN THE PAST --
A Dog's Heart
A Midsummer Night's Dream
Arhat: Taming the Dragon
El Gato Con Botas
Henry - A Puppet Possessed
His Dark Materials
Little Match Girl
London Olympics 2012
Mr China's Son
Peter and the Wolf
The Magic Flute
The Right Song (DJ Tiesto)
BehinD tHe ScenEs
Puppet Tips Videos
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Making Peter, Episode 1 is here...
Many thanks to Tmax!
Three things to make a character
Face, body and voice. Don't wait for "inspiration" it may never come. Or if it comes one day it may not come the next. Or a new...
Simple driver, complicated story
Not the other way around. The driver is usually the relationship that drives the story. Eg. one person is trying to remember something...
Wolf eye experiments
Two piece construction 3 pieces...
Hanging in there...
First assembly of Peter (in his underwear)
Peter as Andy Warhol...
#summer #cool #sunshine
View from the stage...
Ruth Paton makes some notes: "Blimey it's huge!"
Design has to tell a story
Audiences ask immediately what family are these objects a part of? Who is missing? Who are we expecting to see? Here Peter and the bird...
Experiment as much as you can before rehearsals
Daniel hay Gordon and Patricia Langa spend a day in the studio figuring out some movement sequences for the characters in Peter and the...
Performance is reverse engineering.
The job of performing is to take a 2D script and turn it into a 3D performance. The script is like a footpath marked on a map. There is...