B L i n d S u m M i T
Our mission & purpose
Board of Trustees
-- IN REPERTOIRE --
Peter and the Wolf
-- IN DEVELOPMENT --
The Puppeteer (Henry)
Call of the Wild
-- IN THE PAST --
A Dog's Heart
A Midsummer Night's Dream
Arhat: Taming the Dragon
El Gato Con Botas
His Dark Materials
Little Match Girl
London Olympics 2012
Mr China's Son
The Magic Flute
The Right Song (DJ Tiesto)
BehinD tHe ScenEs
Puppet Tips Videos
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Wolf eye experiments
Two piece construction 3 pieces...
Hanging in there...
First assembly of Peter (in his underwear)
Peter as Andy Warhol...
#summer #cool #sunshine
View from the stage...
Ruth Paton makes some notes: "Blimey it's huge!"
Design has to tell a story
Audiences ask immediately what family are these objects a part of? Who is missing? Who are we expecting to see? Here Peter and the bird...
Experiment as much as you can before rehearsals
Daniel hay Gordon and Patricia Langa spend a day in the studio figuring out some movement sequences for the characters in Peter and the...
Performance is reverse engineering.
The job of performing is to take a 2D script and turn it into a 3D performance. The script is like a footpath marked on a map. There is...
“Acting is doing things truthfully under imaginary circumstances.” As Meisner said.
Always say yes to artists - they give you a new perspective
US photographer Maundy Mitchell emailed me to ask if she could take my photograph for her series "Life's Work". It would take a few...
If you can "name the look" then you're going in the right direction
This is the latest Peter head. Sculpted by Ruth Paton and cast in fibreglass. He was painted by Fiona Clift inspired by ballet make up...